She just does it so beautifully that it doesn’t feel like circling. It feels like she’s having a genuine conversation with her students.
LET’S CREATE A BRIDGE WE CAN ALL WALK ON TO GET TOGETHER. LET’S COMMUNICATE!
The standard textbook approach has always reminded me of Johnny Cash’s song, One Piece at a Time, and gives similar results. The students, the few who persevere, have a lot of bits and pieces but they don’t necessarily fit together very well.
We all know that magic tricks work because of the magician’s ability to focus our attention elsewhere. My students are focused on filling in the blanks, but actually my goal is to get them to listen to Comprehensible Input attentively and repeatedly.
“A century of research shows that traditional grammar lessons—those hours spent diagramming sentences and memorizing parts of speech—don’t help and may even hinder students’ efforts to become better writers. “
Injustice is often cleverly disguised as our own privilege.
Terry Waltz finds this method quite similar to Cold Character Reading, used with students learning to read Chinese characters.
What are ways to keep a entire film interesting to our students, scene after scene after scene?
“Why didn’t I use the sacred red pen? Because student minds retain things that are underlined in red. They retain them …. and reproduce them. Haven’t you ever wondered why students keep making the same mistakes over and over? The mistakes that you have been so carefully underlining in red? “
“It’s time to stop thinking of translation as something shameful that we do only when no one is looking.”