I am grateful to Beniko Mason Nanki for presenting teachers around the world with an elegant and easy to use strategy that allows us to immerse our students in compelling comprehensible input.
He is passionate about his craft, passionate about wanting to help others find their way. He has the courage to go off the beaten path, the courage to try new methods and the courage to speak his mind.
She just does it so beautifully that it doesn’t feel like circling. It feels like she’s having a genuine conversation with her students.
LET’S CREATE A BRIDGE WE CAN ALL WALK ON TO GET TOGETHER. LET’S COMMUNICATE!
The standard textbook approach has always reminded me of Johnny Cash’s song, One Piece at a Time, and gives similar results. The students, the few who persevere, have a lot of bits and pieces but they don’t necessarily fit together very well.
We all know that magic tricks work because of the magician’s ability to focus our attention elsewhere. My students are focused on filling in the blanks, but actually my goal is to get them to listen to Comprehensible Input attentively and repeatedly.
“A century of research shows that traditional grammar lessons—those hours spent diagramming sentences and memorizing parts of speech—don’t help and may even hinder students’ efforts to become better writers. “
Injustice is often cleverly disguised as our own privilege.
Terry Waltz finds this method quite similar to Cold Character Reading, used with students learning to read Chinese characters.
What are ways to keep a entire film interesting to our students, scene after scene after scene?